Min7 Arpeggios

How to play Min7 Arpeggios!

The easiest arpeggio to learn is the min7 arpeggio. This is because it is almost identical to the minor pentatonic scale shape.

All arpeggio shapes are learned just like you learned chords, the pentatonic scales and the modes. Start slowly, work your way through all shapes, then connect them.

For the arpeggios you start connecting them at master level.

As you practice the five shapes below, look for connections between: Chord – Minor Pentatonic – Arpeggio.

The Em shaped min7 Arpeggio

The Em shaped min7 arpeggio looks very similar to the Em shaped Minor Pentatonic.

Make sure you can see the connection and know where all intervals are located.

Am7 arpeggio, Em shape

Am7 arpeggio Em  shape

Dm7 arpeggio, Em shape

Dm7 arp Em shape

When you can play the arpeggio shape in Am and Dm, keep going through the cycle of 4th until you played through all keys.

To vary the exercise, play the arpeggio shape using different rhythms than what I do in the video lesson.

The Am shaped min7 arpeggio

This shape is really easy to remember.

Learn it in all twelve keys before you move on. Here’s Am7 and Dm7.

Am7 arpeggio, Am shape

Am7  apreggio, Am shape

Dm7 arpeggio, Am shape

Dm7 arpeggio, Am shape

The more you practiced your minor pentatonic, the easier the process of learning the min7 arpeggios is.

If you practice both the Minor Pentatonic and the min7 arpeggio in the same session you’ll automatically identify all the 4th intervals in every single shape.

The Dm shaped min7 arpeggio

Can you see how this shape is also like the minor pentatonic, without the 4th?

Am7 arpeggio, Dm shape
Amin7 Dm shape

Dm7 arpeggio, Dm shape

Dm7 arpeggio Dm shape

When the Am7 and Dm7 shaped arpeggios are OK, continue around the cycle of 4th, just like you have with all previous exercises.

Vary the rhythm of the exercise for maximum effect.

The Gm shaped min7 arpeggio

The Gm shaped min7 arpeggio is almost identical to the Gm shaped Minor Pentatonic. You guessed it, it’s only the 4th interval that’s missing.

Am7 arpeggio, Gm shape
Am7 arpeggio, Gm  shape

Dm7 arpeggio, Gm shape

Dm7 arpeggio, Gm shape

Think about how this can work in your advantage when you solo with the minor pentatonic.

If you can sort your note choices out to this detail, improvising is easy.

The Cm shaped min7 arpeggio

The key to playing well in all shapes is to know the intervals of every shape.

The Cm shape might be the most difficult to solo with due to its stretchy layout, compare with Cm shaped minor pentatonic.

By learning the min pent, all the modes and now finally the arpeggios you can reach a state of non thinking, just playing.

As you practice the Cm7 shaped arpeggio, call out the intervals, this will strengthen the connection between: sound – interval – fingering.

Here’s what they look like in Chordacus and below that you find the video lessons of this final shape.

Am7 arpeggio, Cm shape
Am7 arpeggio, Cm shape

Dm7 arpeggio, Cm shape

Dm7 arpeggio, Cm shape

Conclusion Min7 Arpeggios

That was all the min7 arpeggios, easy to learn as there was only one difference between the arpeggio and the minor pentatonic.

As you practiced these shapes and identified where the 4th was missing you really hammered home the 4th interval, which is a bit ironic as it’s the only note you didn’t play!

When learning the guitar fret board, you should always strive towards this goal of knowing exactly where every single interval is located.

Using the frame work of pentatonic scales, modes and arpeggios will automatically get you to this point.

The reason it will work out is because you always stick to the same frame work, remove or add intervals.