The Dorian mode belongs to the II chord

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A Dorian scale shapes

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The Dorian mode is sometimes used in jazz influenced music as a blanket scale when soloing.

Miles Davis’ ‘So What’, Van Morrison’s ‘Moondance’ and Stevie Wonder’s – ‘I Wish‘ all heavily rely on the Dorian mode. So does ‘Scarborough Fair‘ and ‘Mad World‘.

Should you use the technique of playing a new scale every time the chord changes, you would use the Dorian mode every time you play over the II chord.

Below is the scale formula in relation to the Minor Pentatonic:

Minor Pentatonic:1

To learn to play the Dorian mode you must first practise each shape individually, then connect the shapes.

In the advanced guitar course, we dive deep and find many variations when practising Dorian. For example, as you work your way through all five shapes, you’ll play them in every key and even vary the rhythm of the exercises.

Connect Dorian scale shapes

This exercise connect the Dorian shapes in Am, when you can do this, try all other key and push that BPM!

Also, you wanna find variations to this exercise. What rhythmical pattern are you working on when practising the chromatic exercises at the moment, can you use them instead of the triplets?

Pairing exercises like this is a great idea, in the advanced step by step course, we synchronise your entire practise routine like this.

When you can do it in A as the video demonstrate, try it in D, G, C, F and all other keys.

Cycle of 4th

This exercise takes the Dorian mode and runs it through the cycle of 4th, always moving to the closest shape possible.

Make sure your transitions are exactly as in the video lesson.

The full exercises move like this:

A Dorian – E shape, D Dorian – A shape, G Dorian – D shape, C Dorian – G shape, F Dorian – C shape.

This then starts one fret up, on a Bb.

Watch the video lesson for a demonstration.

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