1. Chromatic exercises 32-34
2. Chords around the Ionian scale shape played backwards

1. Connect min7 arpeggio shapes
2. ‘Angel Eyes’ intro and verses

1. Connect min7 arpeggios
2. ‘Angel Eyes’ bridge TAB

1. Connect dom7 arpeggios
2. ‘Angel Eyes’ verse three and four

1. Connect dom7 arpeggio shapes
2. A complete chart for ‘Angel Eyes’

1. Sweeping exercise 35
2. Sweeping exercises 36-38

1. Sweeping exercises 39-42
2. Chords around each scale shape using the cycle of 4th

1. Chords around each Ionian scale shape using the cycle of 4th
2. The verse for ‘Dream A Little Dream Of Me’

1. Connect maj7 arpeggios
2. ‘Dream A Little Dream Of Me’ chorus

1. Connect maj7 arpeggios
2. ‘Dream A Little Dream of Me’ verse three and instrumental section

1. Connect min7b5 arpeggio shapes
2. Verse four and outro for ‘Dream A Little Dream Of Me’

1. Connect min7b5 arpeggio shapes
2. A complete chart for ‘Dream A Little Dream Of Me’

1. All chords in the key of E through the cycle of 4th
2. Chromatic exercises 43-46

1. Chords from the key of C through the cycle of 4th
2. ‘Why Don’t You Do Right?’ intro and verse

1. Connecting Abm7 arpeggio shapes
2. ‘Why Don’t You Do Right?’ remaining verses and outro

1. Connect Ab7 arpeggio shapes
2. The solo for ‘Why Don’t You Do Right?’

1. Connecting Abmaj7 arpeggio shapes
2. A new solo for ‘Why Don’t You Do Right?’

1. Connect Abm7b5 arpeggios
2. ‘Why Don’t You Do Right?’ chart

1. Looped versions of chromatic exercises 32-34
2. Revise ‘Angel Eyes’

1. Modified sweeping exercises 35-38
2. All chords in the key of A, backwards through each shape

1. Modified sweeping exercises 39-42
2. Revise ‘Dream A Little Dream of Me’

1. Looped chromatic exercises 43-46
2. Chords in the key of A, through the cycle of 4th

1. Revise connecting the min7 and min7b5 arpeggio shapes
2. Revise ‘Why Don’t You Do Right?’

1. Revise connecting dom7 and maj7 arpeggio shapes
2. Develop the solo for ‘Why Don’t You Do Right?’

1. The min7 arpeggios through the cycle of 4th
2. The min7b5 arpeggios through the cycle of 4th

1. Dom7 arpeggios through the cycle of 4th
2. Maj7 arpeggios through the cycle of 4th

1. Sweeping exercises 47-50
2. ‘I Wish’ verses

1. Arpeggio master exercise in a G shape
2. ‘I Wish’ bridges

1. Arpeggios around the scale shapes of E and D
2. ‘I Wish’ choruses

1. Arpeggios around the scale shapes of C and A
2. ‘I Wish’ outro

1. Master arpeggio exercises in all shapes
2. A complete chart for ‘I Wish’

1. Chromatic speed exercises 51-52
2. Sweeping speed exercises 59-61

1. Three chromatic and three sweeping speed exercises
2. All modes in a G shape

1. Master exercises for the major modes in the E and D shape
2. ‘Arthur’s Theme’ intro and verse

1. Master the major modes in the C and A shapes
2. ‘Arthur’s Theme’ chorus

1. Chords around the major scale shape using the cycle of 3rd
2. ‘Arthur’s Theme’ solo

1. All chords around the E and D shaped major scale shapes using 3rds
2. ‘Arthurs Theme’ chart

1. Two chromatic and two sweeping speed exercises
2. Chords around the major scale using the cycle of 3rd

1. Master all minor modes in the Gm shape
2. ‘Tenderness’ verse

1. Master all minor modes in an Em shape
2. ‘Tenderness’ bridge and outro

1. Master all minor modes in the Dm shape
2. ‘Tenderness’ chart

1. Master the minor modes in the Cm shape
2. Master the chords around the G shaped major scale

1. Master the minor modes in the Am shape
2. Master exercise for the chords around the E and D shapes

1. Master exercises for chords around the C and A shapes
2. Master exercises for all chords around all five shapes

1. Sweeping exercises 47-50
2. Revise ‘I Wish’

1. Modified chromatic and sweeping speed exercises
2. Master exercises of all chords around all major scale shapes

1. Modified chromatic and sweeping speed exercises
2. Revise ‘Arthur’s Theme’

1. Modified chromatic and sweeping exercises
2. All arpeggio master exercises in triplets

1. Master all major modes in the key of Bb
2. ‘Tenderness’

1. Master the minor modes in the Gm and Em shapes, key of Bbm
2. Master the minor modes in the Dm, Cm and Am shapes, key of Bbm

1. The ultimate arpeggio exercise, in a G shape
2. The ultimate arpeggio exercise, in an E shape

1. The ultimate arpeggio exercise, in a D shape
2. The ultimate arpeggio exercise, in a C and A shape